Der PigDog's PigBlog

I've been using a slightly modified version of Eero's combat structure for about a year, and my brand-new attack procedure for about a week, and I like both. Why? What's so good about them? What's so good about any combat procedure whatsoever? I'll start by narrowing the field a bit. I'm only interested in combat procedures for a war game that's roughly compatible with classic D&D modules. The procedures need to scale from ordinary humanity to pulp action heroes. (Conceivably it could go higher than that, but I've never played a game that is that high level, so I don't really care.) The procedures need to take as inputs the kinds of things we find in a D&D dungeon key and monster write-up: number, defenses, level, special abilities, place in the dungeon ecosystem. It doesn't have to use all those things, but it can't ask for any information outside of those things. Ok, that's it for hard requirements. Now let's list the thin

Sometimes it's ok to have a movie with no subtlety whatsoever, especially if the movie blows straight past "blatant" and into "ridiculous". Plus the concept is good (though derivative; I thought about Seconds (1966) and The Picture of Dorian Grey (1890) throughout) and inspired deep emotion in my partner and me. The acting and practical effects are mostly outstanding (with one bad scene by Moore, though I think it's the script's fault more than hers). On the other hand, every single important beat is repeated two or even three times, sometimes literally, and by the end I was waiting for the movie to conclude. The last half hour really dragged. A strong 3/5. Goofy robe, what's up with the dragon? Anyway, how I would rewrite/re-edit the movie. (This is something I think about for most artworks -- what would I do differently, to preserve its core and show it in a clearer light?) Lots of stuff is going to stay the same, and so I won't bother listi

This is mostly a summary of the Coup procedure, so credit where it's due there. I've added the bit about different action speeds as it's come up in games a fair deal. Maneuvering Combat is divided into 1 minute maneuver phases. Declare what you are doing at the start of the phase. Everybody declares at once, no particular order. Actions in the maneuver phase are immediate, fast, or normal. Every action in a speed category takes place simultaneously. Fully resolve all actions in one speed category before you move on to the next. Conceivably, your action could take some sort of penalty if you are disrupted by an action from an earlier category. Immediate actions: shooting an arrow, throwing a spear, tossing a rock, readying a spear, giving a brief command, charging into melee (maybe? this is separate from the ordinary walking-speed "closing into melee" and requires a martial arts technique to get a whole group to do it at once) Fast actions: closing into melee Norma

Dice tech basics When you make a check of x/y difficulty, you want to roll x or lower on a y-sided die. Call that a hit. If you roll a hit, you succeed. Very occasionally you will modify the base difficulty of the task, the target number (TN). If you'd ever make the task a sure thing or impossible (if you'd ever have x = 0 or x = y), increase the die size, y, by one step and change x accordingly. (1/4 becomes 1/6; 5/6 becomes 7/8.) More often you will add bonus or penalty dice to the roll to reflect advantages and disadvantages. When you roll with a bonus die, you roll two dice, and if either one hits, you succeed. When you roll with a penalty die, you roll two dice, and if either one misses, you fail. Bonus and penalty dice cancel out. You can count the degrees of success or failure for roll as follows. On a success with bonus dice, the degree of success is the number of dice that hit. On a failure with penalty dice, the degree of failure is the number of dice that missed. Oth